About Us

Contemporary Art Practice is a group of Staffordshire-based artists showing a contemporary mix of painting, photography, illustration, ceramics, film, textiles and fashion.

Welcome to Studio O

The artists’ individual style and subject of work varies widely, making it an interesting new experience at every turn. With such a variety of media and styles including intricate textiles, embellished illustration, detailed photography and innovative paintings; there surely will be something for everyone.

The Studio O group consists of:
Adam Gruning, Jack Roberts, Rebecca Barrs, Rebecca Boden, Sian Mellor, Billi Jo Morton, Nicola Whitmore, Annie Sanderson, Lee Hughes, Rhiannon Cory, Lindsey Heath, Cindel Simmill, and Rob Downward.

LATEST NEWS!
Studio O Group Exhibition
Our latest exhibition will take place at the Victoria Mill Art Centre in Congleton
Thursday 2nd December 2010 PRIVATE VIEW (by invitation only) 7pm
Come and see what we can do!
Friday 10-4 until Tuesday 7th December 2010.

Exhibition Address:
Victoria Mill Art Centre, Foundry Bank, Congleton, Cheshire, CW12 1EE (see website or map below)

http://victoriamillartcentre.com/
Contact us with any queries: Studioo@live.co.uk

Studio O Exhibition - Victoria Mill Art Centre Map

Studio O Exhibition - Victoria Mill Art Centre Map
02/12/2010-09/12/2010

Friday, 3 December 2010

Lee William Hughes Photography

Please check out my blog site :)

Lee William Hughes - Creative and Commercial Photography





Positively Eroded by Lee William Hughes
As part of a wider investigation into the theme of 'Time', the artist has used his first experiences of Congleton to look into the way that environmental factors can augment our common spaces and street furniture. This change may occur slowly and unnoticed, bringing new forms and dimensions to what was originally placed there by human hands.
The artist found that time could be 'read' in the slow build up of lichen over centuries, the effects of sunlight and moisture on porous surfaces, the twisting of beams and the decay of a commonly referenced street corner in a busy thoroughfare. Such environmental erosion may be too pedestrian for us to observe as a constant linear change, yet is revealed more clearly when frozen as a fresh moment in time and taken out of context with their intended space. Perhaps over time these objects and spaces gain a visual character that can offset the negative implications of erosion or degradation on our own shared habitat.